The eaw– electroacousticwinds began as a platform that aggregates artists and researchers from several artistic fields who had the desire to contribute on the advancement of tools that stimulates a new way of artistic creation. The book SYNCHRESIS – audiovisiontales is a collection of articles from different authors, and is the culmination of the eaw2017 international conference, under the same name. Here we will discuss the symbiotic relationship between sound and image, two different languages within the multimedia art form. The technological tools to improve this relationship are the main focus of the proposed articles which stress multiple perspectives on both technical-linguistic and aesthetic points of view. This audio-vision relationship has become a research focus for different authors in recent decades, namely by discussing on how technology enables the creation of tools for manipulating and enhancing not only the artist’s creativity but also the audience’s immersion. However, in this field, as in others within the digital humanities realm, new assumptions and theories are created every time technology overcomes its constraints and presents a new paradigm. Design and soundscapes aims to discuss and mirror interactions and features between design, sound, silence and the potential to perceive space, place and time. Intending to enlarge the scope of the debate, this book presents theoretical frameworks and/or empirical studies that address these topics from a variety of inspiring arguments.

6 Give us some space Guilherme Campos 14 HASGS [Hybrid Augmented Saxophone of Gestural Symbiosis] Generating Visual and Graphical Feedback Henrique Portovedo, Paulo Ferreira Lopes & Ricardo Mendes 22 Cinema and Sound Design: Domingo à Tarde (1966) [Sunday Afternoon] from António de Macedo António de Sousa Dias 35 Seeing with One’s Own Ears: Soundtrack as Interface for Theatre Mat Dalgleish & Neil Reading 42 Sonic landscapes, visual environments. Interaction and synchronicity in composition and live performance. Jaime Munárriz Ortiz 57 Teatro Olimpico by Andrea Palladio an iconic stage scenario and the diffused lightning system by Mariano Fortuny – enhancing the aura of mystery in the Wagnerian universe Anna Marie Fisker 64 SensaSound Nadine Leles, Carlos Carvalho & Joel Paulo 73 Film dialogue and lyrics as catalysts for speech production David Sonnenschein 87 Design as a tool for Education in Dyslexia: the Importance of Musical Feedback Rita Nicolau & Joana Quental 92 Visual representation in musical education: technology and sound-image Marcelo Baptista & Rui Costa 102 The Consciousness of Sound Carlos Alberto Augusto 110 Abstract Rhythm Model Omar Costa Hamido 121 From static to dynamic: representing images through music Tânia Barros & Helena Barbosa 128 Beyond dualities – The performing body and the virtual corpus (a poetic catalogue) & trilogy I Joana Sá 135 The quality of the Music Room in the domesticity of the Casa dos Patudos. Raul Lino project of 1905 Liliana Neves & Fátima Pombo 144 Sound in space as a design feature in workplace interiors. Rita Cruz & Fátima Pombo 154 Symbols – Sign – Sounds Per Anders Nilsson 165 Synchronizing to Visual Cues in a Networked, Real-Time Notation Environment – Comprovisador Pedro Louzeiro 173 Sound as a medium, the performer as a medium Eunice Artur & Graça Magalhães 181 Perceive to perform: Temporal indeterminacy in music for instrument and live electronics Belquior Marques & Pedro João Rodrigues 188 Why Xenakis Never Wrote an Opera Sharon Kanach 199 Magdala, on the threshold of sensations Eduardo Patriarca & Isabel Soveral